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Literary reviews by Gerald Massey
published in the:
(1) ATHENÆUM
The Athenæum was a widely read literary and scientific periodical, published
between 1828 and 1923. It grew to become one of the most influential
periodicals of the Victorian period ― eventually metamorphosing into The New
Statesman
― and is regarded by historians as a mirror of its times, containing reviews,
articles, essays, reports of learnèd societies and news from the scientific and
political worlds.
As was the convention at the time, reviews were published
anonymously; however, City University, London, holds the original editors'
marked copies of the bound volumes, making it possible to determine the identity
of the anonymous contributors, many of whom were well-known literary figures of
the day including Massey, some of whose reviews we have reproduced below (see
text box).
For further information see the
Athenæum Project at City University, London, UK.
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Massey's literary reviews for the Athenæum:
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WILLIAM HEPWORTH
DIXON
(1821-79).
Carte-de-visite
ca. 1868. |
William Hepworth Dixon, Editor of the Athenæum
(1853-69), was instrumental in first bringing the twenty-six year old
Massey to public attention. In his review of
The Ballad of Babe Christabel: together with other Lyrical Poems,
Dixon expressed his opinion of Massey thus......
"...A man whose ear — though not yet
tuned to the complete and glorious harmonies of our English tongue — is
sensitive to rhythm . . . whose imagination throws out images in
sonorous words . . . so that sound and image seem identical... He is a
true poet, — but he has grievous defects ... he lacks culture. He
requires taste. His ear is defective. (Yet), our workman-poet has become
a teacher to his class. He speaks to them in passion - counsels,
exhorts, inspires them with his own vehement and vigorous spirit ...
many a line suggests - and many an image vivifies - the idea of a vast
social revolution as that which appears to him the natural and
inevitable path of issue into a better state."
Dixon was later to offer Massey much needed employment as a literary
critic to the Journal.
Historian and traveller, born near Manchester, Dixon
moved to London in 1846 where he became connected with The Daily News
for which he wrote articles on social and prison reform. In 1850
he published "John Howard and the Prison World of Europe", which had a
wide circulation, and in 1851 wrote a "Life of Peace" in answer to
Macaulay's onslaught. Lives of Admiral Blake and Lord Bacon
followed, which received somewhat severe criticisms at the hands of
competent authorities.
Besides editing The Athenæum, Dixon wrote
many books of travel, including "The Holy Land" (1865), "New America"
(1867), and "Free Russia" (1870). His later historical works
include "Her Majesty's Tower", and "The History of Two Queens"
(Catherine of Arragon and Anne Boleyn). Though a diligent student
of original authorities, and sometimes successful in throwing fresh
light on his subjects, Dixon was not always accurate, and thus laid
himself open to criticism; and his book, "Spiritual Wives", treating of
Mormonism, was so adversely criticised as to lead to an action. He
wrote, however, in a fresh and interesting style. He also served
in public office as a deputy commissioner for the Great Exhibition 1851,
Justice of the Peace for Middlesex and Westminster, was one of the
founders of the Palestine Exploration Fund, and was a member of the
first School Board for London (1870). Dixon was called to the Bar
in 1854, but never practised.
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Reviews of Massey's
work by Hepworth Dixon:
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(2) THE EDINBURGH NEWS
Early in 1855
Massey moved to Edinburgh, where he took up an editorial position on the
Edinburgh News. However, by 1858 increasing competition
between the Edinburgh newspapers forced the proprietor to reduce
his expenses. Massey was made redundant and returned to England
with his family.
Tennyson's New Volume of Poetry
(July 1855).
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(3) Lucifer, Vol. I, November 1887.
An essay-like review by Massey of The Blood-Covenant, a Primitive Rite, and
its bearings on Scripture, by H. Clay Turnbull, DD. (London, Redway, 1887). |